The Great Death Conquering Mantra

Mahamrityunjaya Mantra:

Om Tryambakam Yajamahe
Sugandhim Pushtivardhanam
Urvarukamiva Bandhanan
Mrityor Mukshiya Maamritat

Literal meaning:

Tryambakam = the three-eyed one (accusative case)
Yajamahe = We worship, adore, honor, revere
Sugandhim = sweet fragrance (accusative case)
Pushti = A well-nourished condition, thriving, prosperous, full, and complete
Vardhanam = One who nourishes, strengthens, causes to increase (in health, wealth, well-being); who gladdens, exhilarates, and restores health; a good gardener
Urvarukam = disease, attachment, obstacles in life, and resulting depression (accusative case)
Iva = like, just as
Bandhanan = stem (of the gourd); but more generally, unhealthy attachment
Mrityor = From death
Mukshiya = Free us, liberate us
Ma = not
Amritat = Immortality, emancipation 

Usable meaning:

Om, We worship The Three-Eyed One (Lord Shiva)
Who Is Fragrant (Spiritual Essence)
And Who Nourishes All Beings
May He Severe Our Bondage Of Samsara (Worldly Life),
Like A Cucumber (severed From The Bondage Of Its Creeper)
And Thus Liberate Us From The Fear Of Death,
By Making Us Realize That We Are Never Separated From Our Immortal Nature 

Listen to a traditional version of the chant here.
Listen to it performed more as a song here.  This is the version I play in class.

One of the Best Shoulder Openers – Setu Bandha Sarvangasana

And all you have to do is lie there! This supported pose is a precursor to Shoulderstand.  Setu Bandha Sarvangasana benefits all of the systems of the body so you can recover your health. It reduces fatigue by draining fluids from the legs after long periods of standing. Athletes find it beneficial after a long run to help reduce soreness in the leg and hip muscles. This pose also helps to relieve headaches or mental agitation which are often symptoms of over work.

Set up: place your mat with the short edge against the wall. You will need a bolster, two blocks and a belt. Place the blocks at the wall for your heels to rest on. Place the bolster lengthwise on your mat. In this pose you want your heels on the wall, the bolster under your torso and your shoulders on the floor.

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Technique: Place your belt around the middle of your thighs. It should be snug. Sit on the edge of the bolster closest to the wall. Have your knees bent and your feet on the wall. Lie back over the bolster and let your head hang over the far end. Keeping your back down on the bolster, push into the wall with your feet and allow the bolster to pull down on the skin of your upper back as you slide off the edge of the bolster. You may have to do this a couple of times to get the exact measurement. You want to have your entire foot pressing into the wall. The bolster should reach up to the bottom tips of your shoulder blades and it lifts your chest, but your head and shoulders should be resting on the floor. Having your thighs belted will keep the legs resting in a parallel position without exerting any effort. Take a good look at the picture to get all of the alignment points correct.

You can rest here for anywhere from 5 to 20 minutes. When you are finished, roll over off of the bolster and rest on your side for a few breaths before coming up. You can practice this pose everyday if you’d like. If you want it to work on helping to open your shoulders, you’d have to practice it at least 3 or 4 times a week.

If you back hurts during or after, the bolster was too thick. Either use a thinner bolster or a folded blanket, or support your head and shoulders with a blanket.

Regarding Shoulders – continued: Developing Yoga Teacher Sight.

Last week I talked about and showed pictures of what it looks like when you are lying on the floor with your shoulders rounded. I used the floor as a reference point so you could see this more clearly.

I want to make sure that you can see and understand this from a teacher's perspective.  These differences can appear to be subtle, but they have a profound effect on the body and mind.

This week let’s look at what this looks like in Bridge Pose. One of the main concepts in many poses from Tadasana and especially into the Backbends is to open the chest.   Daily living seems to make us round our shoulders.  Yoga can help reverse these effects.

Take a look at the following series of photos and pay close attention to the effect that rounded shoulders have on the pose.

Lying on the floor, shoulders rounded, sunken chest

Lying on the floor, shoulders rounded, sunken chest

Bridge prep, shoulders rounded, sunken chest

Bridge prep, shoulders rounded, sunken chest

Bridge pose, shoulders rounded, sunken chest

Bridge pose, shoulders rounded, sunken chest

Compare and contrast the differences in the following three photos:

Lying down, shoulders back, chest lifted

Lying down, shoulders back, chest lifted

Bridge prep, shoulders back, chest lifted

Bridge prep, shoulders back, chest lifted

Bridge pose, shoulders back, chest lifted

Bridge pose, shoulders back, chest lifted

Can you clearly see the difference an open chest has on these simple postures?  But, what happens if you try and your chest doesn't open like that?  Next week I will show some restorative poses to work on to open the chest.

Let me know if this was helpful.  I'll see you in class!

P.S.  I wish someone had told me to put my toes down!  Although lifting the toes is a good remedial action that forms the arches in the feet and helps to keep the knees from splaying out; they shouldn't be lifted that way in the final pose.

Regarding Shoulders

The word yoga means “to come together, to unite.” This refers to tying the mind, body and breath together.  When we do our yoga poses we strive to do them intelligently; to put our mind in our bodies.  For example; to know how rolling the heads of the arm bones back lifts the chest.  The practice of yoga helps our bodies learn to feel these things.  We endeavor to make our whole selves shiny (with an inner radiance), bright and alert.  When our mind is not in our bodies, that part of our body becomes dull and lifeless.  This intelligence is what differentiates yoga from merely stretching.  And it is this inner inquiry that helps us to make progress on the path of yoga.  If we are not aware of what we are or are not doing, we can stay stuck.  Awareness always proceeds change.

There are a lot of things we could be focusing on in any yoga pose, but today I want to shine a light on the shoulders.  I noticed things shifted in my yoga practice when I began to look at my shoulders and realize that I was slumping.  My teachers would say things like "Take the heads of your arm bones back. What does that mean? In my Anusara training the concept used was called “Shoulder Loop”.  The cueing went like this:  “Side body long and the heads of the arm bones back.”

What does that mean to make the side body long?  And why should we do this?

When we do yoga we not only exercise the muscles, which pull on and affect the bones, but the poses also affect our nervous systems and our internal organs.  In everyday life we tend to slump.  Some of that is because we work at keyboards (as I am doing right now) Or, it can be a form of protection of the heart because life is hard and we don’t want to be vulnerable.  Slumping compresses our lungs and heart making it harder to take a full breath and making it harder for the heart to pump blood.  When the chest is caved in, it indirectly puts pressure on the abdominal organs, making it harder for them to function as well.  The decrease in oxygen intake and compression of the organs makes our brain dull and we feel sluggish.

How do you make the side body long?  Lengthen your side waist from your hips to your armpits by lifting the heads of your arm bones up towards your ears.  Then roll the heads of the arm bones backward allowing your scapula, or shoulder blades, to settle on your back close to the spine.  Release the scapula down towards your waist without letting them slide apart again.  This releases your shoulders away from your ears and allows them to settle into a more natural position.  Make sure you don't let the shoulders roll forward again.  The next time you find yourself slumped over your computer keyboard and you are starting to feel sluggish and sleepy, take one minute to sit up straight and try this.  Remain in this upright position and breathe; notice how it feels.  This is how long it takes for your blood to circulate through your body. In just one minute, with full, deep breathing you can 100% oxygenate your blood. Notice the effect this has on your body and your mind.

I wanted to clearly illustrate what it looks like with my shoulder blades rounding forward and with them rolled back so I took the pictures while lying on the floor so you could see the difference more clearly.  Can you see the difference?  What do your shoulders look like?  Now can you do this while standing up?

Shoulders rounding forward

Shoulders rounding forward

Shoulders back and down

Shoulders back and down

This is the beginning of being able to open the upper chest and move the upper thoracic spine into the body.  This starts in Tadasana, but is especially important in back bends.  Next week I will continue this exploration into Bridge Pose.

Yoga Anatomy – How to deepen your Forward Fold

Today in class we were talking about how muscles work.  In the language of anatomy there are different names for what the muscles do.   When you have a muscle that contracts and moves a body part it is called the agonist or prime mover, the antagonist works against the prime mover and the synergists are muscles that work with the prime mover and help it.

Straighten Your Leg

We were talking about Pascimottanasana, or Seated Forward Fold.  In this pose, the quadriceps are the prime mover.  They straighten the leg and this causes the hamstrings, the antagonist to the quads, to stretch.  This is a concept called reciprocal inhibition which means that when one muscles contracts, it signals the brain to tell the antagonistic muscle to relax in order to be stretched.

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But a lot of students miss out on this stretch because they cheat and bend their knees as they fold forward.*   This makes them feel as if they are stretching further because their face is in their shins, but they are not getting the full benefit of the pose.  As best as you can, press the back of the knees into the floor while keeping the heels down.  It is the pressing down of the back of the knees that engages the quads and signals the hamstrings to stretch.  Keeping the heels down prevents hyper-extending the knees.

Use Your Arms

The other aspect of this forward fold are the synergistic muscles, these are the muscles that help you fold deeper.  In the case of Pascimottanasana, contracting the psoas, a deep hip flexor, helps to tip the pelvis forward.  And finally holding the outside of your feet and bending your elbow to engage the biceps helps to pull you forward and deeper into the pose. This is not an aggressive pull, but a gentle pull which helps bring the torso out over the thighs.

Give this a try over a few weeks ad see if it doesn’t help improve your hamstring flexibility.

*(Of course if you have really tight hamstrings you may need to bend your knees as you fold forward to make sure that you are hingeing at the hips and not rounding in the lumbar spine.  This is the sort of thing that is best assessed by your teacher.)

Mantra of the Month - The Peace Chant

This mantra opens the Katha Upanishad. These are the teachings about death as taught to the most unlikely of students, a teenage boy named Nachiketa.

Om saha naa va-vatu
saha-nau bhun-ak-tu
saha veer-yum kerava-va-hay
tejas vi nava-dahee tamas-tu
ma vid-visha-va-hay.

Om shanti, shanti, shantihi.

 

Om.
May we be protected
May we enjoy each other
May we work together vigorously
May our study be illuminating
May we not quarrel.
Om, peace, peace, peace.

Pose of the Month for October– Eka Pada Koundinyasana I

Eka-pada-koundinyasana-karin-4-x-6.jpg

Eka = One
Pada = Leg or foot
Koundinya = the name of a sage

Eka Pada Koundinyasana is a twisting arm balance. It is traditionally entered into from tripod headstand but you can also get into it from Side Crow or Revolved Side Angle. And, if you know me, there are ways to prop yourself into the pose so that you can get a feel for the posture. This pose, like all of the poses named after sages are challenging, but they can be broken down step by step and made approachable.

Since Tripod Headstand and Side Crow are entry points to this pose, you will definitely see these poses in class this month. But it is possible to break the pose down into even simpler parts.

The two main components of this pose are the twist and the arm balance. We can begin to work on basic twists; everything from simple Seated Twist, Lunge Twist, Revolved Chair Pose, Revolved Triangle, Revolved Side Angle, Standing Hand to Big Toe Pose Twist, Lying Hand to Big Toe Pose Twist and Intense Stomach Churning Pose.

To develop the arm balance we need to work on strength in poses like all of the Plank variations, Caturanga, Crow, Side Crow, Lolasana, Tolasana and Tripod Headstand.

Another aspect of what is required from you to do the pose is a conscious level of engagement. One of the ways I learned this was through the topics of Muscular Energy and Organic Energy. Muscular Energy is the ability to hug the muscles towards the bone, to draw in towards the midline and to draw into a central focal point. This is the ability to consciously engage the muscles. It involves strength. But it needs to be balanced by Organic Energy which is the ability to extend outward from a central focal point, away from the midline and out to the tips of the extremities. Muscular Energy and Organic energy need to balance each other in every pose. Muscular energy provides stability and boundaries, but unless it is balanced with Organic Energy it can cause contraction and hardening. Organic Energy provides lightness and space. If it is not balanced with Muscular Energy it can cause over-extension and instability.

This ability to engage all of your body parts in a pose is challenging and the sign of an advanced practice. It is that proprioceptive sense to know what the leg up in the air in Half Moon Pose is doing while you are trying to maintain your balance. This is exactly what is necessary to the next level in poses. I sometime say, “Imagine you are a statue and I could pick you up and move you from one spot to another and your pose wouldn’t fall apart.”

This is the sort of thing we work on when you lift one leg in Down Dog Split and the rest of your pose doesn’t waiver. To work on this quality we will play with leg variations in Tripod Headstand. When you lower one leg towards the floor in Tripod Headstand, the other leg maintains its position while reaching up. If the leg that is reaching moved with the leg that is lowering, you would fall to the floor. It is the reaching leg that balances the lowering leg much like a seesaw.

The Benefits of Eka Pada Koundinyasana

Like all twists, this pose massages the abdominal organs. The spinal twist rejuvenates the spine. The arm balance actions strengthen the arms and neck.

You can see that whether you do the full pose or not, there are plenty of actions, principles and easier poses to work on along the way. Also, while working on the pose you will reap the benefits of the pose.

I can’t wait to get started. I’ll see you in class!

What happens when your body lets you down?

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On my City to Shore MS bike ride this year, I witnessed two events that gave me pause to stop and reflect.

The things you can’t prepare for.
The first was an accident, a lapse of attention. Someone ran into the wheel of the cyclist in front of him and down he went. The guy was scraped up and bruised pretty badly, but nothing broken, on his body anyway. His bike was damaged, but that can be fixed. If we could be mindful and fully present all of the time, these things wouldn’t happen. But, that is easier said than done. I read somewhere that the average person loses their attention an average of six times a minute!

Reflection: Bicycling can be a dangerous sport. It is important to pay attention to your surroundings as you ride. Just like driving, you need to ride defensively.

And the things you can.
The second event, could have been an accident, except that there may have been other contributing factors to a rider who suffered from heat stroke. Was this a condition of this man’s body letting him down? Or was it him not listening to his body? Had he trained for this event, or had he just willed his body to participate in it? Riding 75 to 100 miles is not something you can do on a whim. You need to prepare for it.

Through my work personally training dozens of people over the years, I have heard many times people complain that they can’t do something and they wish that they could. They often feel frustrated and that their body has let them down. Very few people understand how their body works. It seems as if they want their body to perform by imposing their will over it rather than doing what is necessary to have their body function optimally.

Our bodies talk to us all of the time. Unfortunately these messages are non-verbal and you have to know how to interpret them. Often pain, discomfort and unease are the body telling us that something is wrong. The next time your body doesn’t perform the way you want it to, instead of wondering how your body has let you down. Ask how you may have let down your body.

We all know how important the following things are to our health:
Sleep
Food
Hydration
Movement
Relationships
Spirituality
Connection to Community

But there are two questions to ask yourself about these things.  First what is the quantity of each item on the list.  Second is what is the quality?

Reflection: You don’t play the game to stay in shape. You stay in shape to play the game.

Spiritual Materialism or Beware of the Shiny Object

In the interview with Brene Brown that I just shared, she cautions us to beware of the shiny object.  This is a common warning in yoga, and perhaps in life as well.  In the Bhagavad Gita, Krishna gives Arjuna the same warning:

You have a right to your actions, but not your actions fruits.  Act for the action’s sake.”  B.G. II.47

In the Yoga Sutra of Patanjali, the third chapter is devoted to the powers or siddhis that one can acquire through the practices of yoga.  Patanjali is not merely referring to asana.  He very clearly spells out that these yogic practices are specifically related to the last three rungs on the ladder of yoga; namely dharana (concentration), dhyana (meditation) and Samadhi (absorption).

In his commentary on the Yoga Sutras, Mr. Iyengar says this:

“On this innermost quest, supernatural powers or accomplishments (vibhutis) come naturally to a yogi who has integrated his mind, body and soul.  There is a danger that he will be seduced by these powers.  He should bypass them in order to pursue his practice as far as kaivalya, the height of indivisible existence.”

The essence of what he is saying is that when we strive wholeheartedly towards a goal, gratifying rewards and results will incidentally come our way.  It is easy to become enamored of what we have accidentally acquired and that we mistake it for the goal itself.

He gives three examples of how the lure of the shiny object can ensnare us.

The first is that of a young person who dreams of becoming a great actor.  On the way he acquires fame, and if he does not have his priorities straight, he makes fame his new goal.  This power, or siddhi, can enchant him, swallow him up and spit him out.

The second example is that of a young business man who sets out on his career to provide for his family.   Along the way he becomes rich. He now has more than enough, but riches and their pursuit now possess him.  He neglects his wife and children who live in sterile luxury while he pursues money and more money for its own sake.

The third example is that of a man who, through the merits of past lives, is born into a royal household.  Instead of regarding his good fortune as a sign that he must humbly serve his people, he becomes seized by pride of birth and behaves tyrannically.

In all of these examples, the protagonist has let himself be side-tracked, has substituted an agreeable and merited by-product of his efforts for the real goal.  At best his progress is stopped, at worst he is consumed; and in all cases illusion has displaced reality.  The lesson of the siddhis for all of us is not to allow ourselves to be side-tracked, but to stay the course.  Someone who has let themselves become ensnared by the glamour of the siddhis is like one who believes that the bricks and mortar of the temple are God him/herself.  This is known as spiritual materialism.

In the blog post I wrote about Krishna Das and his song Sri Argala Stotram, he talks how about the trap he fell into.  When he lived in India on an ashram he had few possessions, he didn’t need many things to survive.  When he came back to the States, he felt superior to people who he thought were too attached to their possessions.  As he matured, he realized that you need a rich inner and outer life.   It is okay to be comfortable.  Having possessions or not having possessions is a way of life.  One is not superior to the other.

And so it goes with our physical practice as well.  Asana is just one of the eight limbs of yoga.  Being physically strong and flexible is nice and may make us more comfortable in our bodies.  But being able to put your foot behind your head does not mean you are more enlightened than the next person. In my yoga practice I have noticed that whenever the pose became the thing I was seeking, I usually had a lesson delivered to me in the way of an injury.  Instead, when I focus on the practice for the sake of doing the work with mind, body and breath intertwined, that is when the magic happens.

Sri Argala Stotram

The song I have been playing in class is the Sri Argala Stotram by Krishna Das.

Without knowing the meaning of the word stotram, I think it is obvious that the song is a hymn of devotion. The melody just exudes that sentiment. Nevertheless, I looked up the word stotram on Wikipedia, and here is what it says: Stotra or Stotram is a Sanskrit word, that means "ode, eulogy or a hymn of praise". It is a literary genre of Indian texts designed to be melodically sung, in contrast to shastras which are composed to be recited.

This stotra is to the goddess Durga. She is the warrior goddess, whose mythology centers around combating evils and demonic forces that threaten peace, prosperity and the dharma of the good. She is the fierce form of the protective mother goddess, willing to unleash anger against wrong, violence for liberation and destruction to empower creation.

The first line of this song calls her by another one of her names: Chandika. Chandra is the word for moon.
Om Namas Chandikayai (Om, I bow to the goddess Chandika)

The repeating verse of this song is:
Rupam dehi, jayam dehi, Yasho dehi, dvisho jahi
Which translates to: Grant us your form (Liberation), Grant us victory, Grant us welfare, remove all hostility (negativity).

You get a better sense of from whom you are asking these things in the line preceding it:
Madhu Kaitabha vidravi vidhatṛ varade namah
To you who have defeated the negative qualities of “Too Little” and “Too much”, Giver of blessings and of creativity, I bow to you.

It’s a beautiful song and I hope you are enjoying it as much as I am. To listen to it click here. To read more about it on Krishna Das’ own website, click here.

If you want to buy the song, it is on the album Kirtan Wallah by Krishna Das and is available on itunes.